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Dave Fridmann 

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Dave Fridmann has developed a legendary reputation amongst the musical community for his production.  He is essentially the “fifth Flaming Lip,” having co-produced most of their records, and spent several years as Mercury Rev’s bassist and co-producer where he developed and honed his distinctive and unique sonic assault.  (Dave continues to serve as Rev’s co-producer and remains a member of the studio band, even though he has left the touring band in order to spend more time with his family.)  He engineered several tracks on Weezer’s Pinkerton and produced “So What,” the single from the Jane’s Addiction “relapse” album. Dave has garnered his greatest notice for his production and orchestration of The Lips’ groundbreaking Yoshimi Battles The Pink Robots which was featured on the year-end best-of lists of numerous publications including NME, Mojo, Blender, Uncut, the Village Voice, etc., and their prior release, The Soft Bulletin, which Q magazine selected as one of the 100 Greatest Albums of all-time. Dave has now worked on seven full albums by The Lips, including their most recent acclaimed album, At War With The Mystics. Dave produced 3 tracks on Café Tacuba’s Grammy Award winning Cuatro Caminos.  Other notable releases include Mercury Rev’s Deserter’s Songs, which Entertainment Weekly called “the art rock album of the year” along with Mogwai’s Rock Action and Come On Die Young, Sleater-Kinney's The Woods, Low's The Great Destroyer, Phantom Planet's Phantom Planet, Sparklehorse's It's A Wonderful Life and Thursday's A City By The Light Divided. Gemma Hayes’s Night On My Side, The DelgadosThe Great Eastern and Ed Harcourt’s Here Be Monsters were all nominated for the prestigious Mercury Prize.

Dave received a Grammy for The Lips' AWWTM at the 49th Annual Grammy Awards (Best Engineered Album, Non-Classical). The Lips won a Grammy for Best Rock Instrumental Performance for "The Wizard Turns On..." from AWWTM, and that album received a nomination as Best Alternative Music Album. Dave was selected by the UK’s Mojo magazine as one of the “100 Sonic Visionaries” of all-time, along with the likes of George Martin, Phil Spector, Brian Eno and Prince.  Dave was selected as “Recording Person of the Year” in 2002 by professional audio magazine Pro Sound News. The Lips’ Fight Test EP was nominated as the best alternative music album at the 46th Annual Grammy Awards.  And the prior year, The Lips’ “Approaching Pavonis Mons By Balloon (Utopia Planitia)” received the grammy for Best Rock Instrumental Performance.  The Soft Bulletin and Deserter’s Songs were chosen as NME’s #1 album of the year in 1999 and 1998, respectively.  Dave was selected as Rolling Stone Magazine’s “Hot” Producer for 1999, and was runner-up as the Rolling Stone’s critics pick for producer of the year.

Dave has worked on numerous tracks that have appeared over the opening credits to the film Laurel Canyon. Dave produced the music from a Mountain Dew/Pepsi Free TV commercial which featured the Wallmen.  The Lips “Do You Realize?” appeared in Mitsubishi and Hewlett-Packard commercials.  He has worked on several Lips’ songs that have appeared on the soundtracks to Spiderman 3, Spongebob Squarepants, Batman Forever, 50 First Dates, Austin Powers: The Spy Who Shagged Me, Batman Forever and Suburbia.   In addition, Grand Mal’s brilliant Stay In Bed appeared in the film Jawbreaker.

Dave works (although not exclusively) out of Tarbox studios, based outside Buffalo, N.Y.  The studio is a state-of-the-art fully automated unlimited track residential studio featuring Neve and Otari boards and is equipped for 5.1 surround sound mixing.  In addition to playing bass, Dave writes, sings, plays keyboards and guitar, programs and arranges strings. 

Most recently, Dave worked on the second Clap Your Hands Say Yeah! album, Some Loud Thunder (CYHSY/Wichita), Low's Drums and Guns (Sub Pop) and Brazil's Philosophy of Velocity (Immortal). He just mixed tracks for Roadrunner's De Novo Dahl, and produced, recorded and mixed the debut full length by MGMT (Columbia). After the acclaimed surround sound mix of The Lips’ Yoshimi, he completed the work on the 5.1 surround sound mix of The Lips’ Soft Bulletin and AWWTM (Warner Bros.). Dave has also combined with The Lips on remixes for Epic’s Modest Mouse (which appeared on the platinum The Good Times Are Killing Me), Koch’s Chumbawumba, Toshiba/EMI Japan’s Penguin Noise and Mantra’s Six By Seven.

Dave Fridmann

Dave Fridmann
Tony Doogan
Sandy Pearlman
Paul Mahajan
Bill Racine

 

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